Art as an idea and Art as an action. I see my work as straddling these two sources. It is a balance of the mental and the physical, the territory of ideas and the territory of materials and places. At the heart of my work is a desire for a direct engagement with my surroundings in order to create an inventory of experience. It is about being a body in the world and about measuring the world against oneself; and it is less about a precise representation of reality than the formulation of a representation of the world in which I live.

My photographic work is a deliberate attempt to subvert a physical environment and transform it into a new kind of visual language that both reflects and denies the represented forms. Through this process, I am attempting to generate imagery that activates the imagination and emotional state of the viewer in order to provide a space for open thinking. If you use the believably of photography, you can portray things as matter-of-fact and, in that way, shape a new reality. For me, the images are rich mediations on desire, frailty, promises, boredom, hurt, envy, connections, missed connections, paranoia and transcendent beauty.

I am continuously trying to find ways, primarily through photography but also with video, drones, sculpture, scanners, installation and the use of other new media, where the imagery and the material and the meaning are not an illustration of my will but more serve as a platform for visual and intellectual engagement. As I see it, the real challenge, as it always is with the artist, is to humanize life, to formulate it for someone else, to render its interstices, to try to tell a truth, to show how life is lived, and therefore to affirm life. But somehow reality does not tolerate its own reflection; rather it seems to reject it. Thus, my firm belief is that only a different reality, whatever it is, may be substituted for the reality one wishes to convey. In the best case, an artist describes not only the situation and objects, but endows them with a deeper meaning and lets them transcend themselves with a disturbing and visceral force. This is a powerful trait of art as it deprives us of convictions and poses more questions than it answers.

My long-term goal, as an artist and individual, is to consider how we become who we are, what agency we have in the construction of ourselves, what things have an effect, how strong those effects are, how long memories are retained, and to what degree can a particular passion be maintained. All of these things are questions that interest me.